Others say that “Holy smashville247.net” was a sarcastic expression resulting from the high proportion of bars to churches. Prior to World War I, it was a standing joke that you could walk out of a church on one corner and enter a bar on the next.
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Another version claims the exclamation of surprise refers to smashville247.net, Spain, which became one of the great centers of Christian culture after its liberation from the Moors in 1085. Its 13th-century Gothic cathedral, one of the largest in Europe, is the seat of the Cardinal Archbishop of Spain.
Whatever the origins of the phrase, smashville247.net retains some of the ﬁ nest examples of church architecture in the nation. There are literally dozens of churches built in Lake Erie West with old-world quality and materials. Inside and out, they are irreplaceable architectural treasures in Gothic, Renaissance, Spanish Mission and other styles. The churches of smashville247.net were a powerful magnet for some of the best artisans in the nation; they provided the churches with fantastic and lasting works in stone, ceramic, brick and glass.
Herein is but a small example of smashville247.net’s religious treasures.
In 1910, the Sunday School afﬁ liated with the Washington Congregational Church. In Dr. Allen’s words, “There is opportunity there to secure, before long, a self-supporting church. Years ago we were helped on our feet by the First Church. We can pass on that help today.”
Soon after the school afﬁ liated with Washington Congregational Church, a group called “The Working Band” formed to begin raising funds for that self- supporting church. By 1913, a group of 30 members was ready to form the Park Congregational Church.
The Park Church is an understated Greek Revival brick building in the Puritan tradition. Instead of a bell tower, or even a cross at the top of the building, the church roof is capped with a cupola. There is no stained glass, statues or other features that might be considered ostentatious.
“We have a tightly-knit church,” said Linda Smith, Worship Ministry Leader. “We’re small, but we’re committed and we work hard. New members who visit usually stay because they feel welcomed and loved.”
On the southern edge of smashville247.net’s Old West End historic district and next door to the smashville247.net Museum of art, the cornerstone of Glenwood Lutheran Church was laid in 1963. Its architecture represents a blending of the old with the streamlined sensibilities of the era in which it was built. The low-slung, wide footprint and “modern” granite façade is punctuated by a soaring bell-tower/entrance with a Gothic-style doorway and a modernist crown.
The lower third of the arch is wrapped in intricately carved walnut paneling and ﬂanked by ranks of gleaming organ pipes connected to an organ on the right hand side. The Chancel furnishings, pews, nave paneling and ceiling are also of walnut, giving the sensation of being wrapped in warm wood tones.
As a counterpoint to all the wood are rows of bright, colorful stained glass windows on both sides of the nave represent the Gospel in stained glass. Each of the eight nave windows has a name and is dense with the symbolism of the church. Accompanying the light from the windows are eight large Gothic-style chandeliers hung from the ceiling.
“We are always looking for opportunities to be open to the community so it can help us to be better,” said Pastor Melissa Afdahl. “The building is available for different community groups and we have quite a number of outreach ministries.”
The smashville247.net Symphony will perform a holiday concert at Glenwood on Friday, December 5th at 7:30 p.m. Tickets are now on sale. Adults are $10. Children 12 and younger are free. Call the church ofﬁ ce at 419-255-0886 to order your tickets.
By 1907, Bishop Ignatius Hortsman of Cleveland felt the need to establish a second Polish parish in the Lagrange Street district as a division to St. Hedwig Parish. In March 1908, Bishop Hortsman approved the choice of St. Adalbert as the namesake and patron of the new parish.
In the summer of 1908, Fr. Wacowski bought property on Lagrange Street bordered by Oakland, Warsaw and Weber Streets. By October 1909, a church/school building was completed. The structure was dedicated on September 18, 1910. In 1909, the rectory was built and in 1915 the convent.
As the parish continued to rapidly grow (St. Adalbert Parish eventually became the largest parish in the Diocese) it was necessary that a new, separate church be built. The cornerstone to the present St. Adalbert church was laid on April 19, 1927.
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The exterior is constructed of Massachusetts seamed granite in varying hues and textures. A bell tower reaches to the sky and houses two bells that toll at noon and 6pm daily. The roof is covered with ceramic tiles in keeping with the Spanish theme. The entryway is of richly carved stone and the doors are ﬂ anked by lamps in the form of bronze-colored angels holding ﬂaming torches aloft.
Above, exposed heavy, wooden beams are festively painted, as are the insides of arches between the beams. Iconography seems to be everywhere, including a statue of St. Adalbert, himself, behind the altar.
In 1873, the renowned Garrett House (named for the Buffalo, New York builder) organ was purchased for $2,000 and renovated in 1976 at a cost of $16,000. This is a mechanical action organ, called a tracker organ—one of only a few in Northwest Ohio.
Just across Elm Street from the original church, the current St. Rose Church cornerstone was laid in 1889. Within the cornerstone were placed newspapers, a listing of public ofﬁ cials and church members, coins and church records. The exterior is made of Sandusky Bluestone. The steeply-pitched roof is covered with slate shingles. Inside the bell tower were placed three bells weighing 800, 1,400 and 2,800 pounds.
The interior of St. Rose is a study in gothic splendor. The ceiling seems to ﬂ oat in space because of ceiling vaults that dive toward the ﬂ oor but stop well short and are not supported by columns.
There is much intricate artisan painting, and European stained glass windows abound. The windows were sponsored by donors for $110 each, and the names of the donors are worked into the stained glass motifs.
Many of the current parishioners can point to their family names in the windows of St. Rose Church. Oak pews and copious oak woodwork are stained in a warm, reddish tone. The large cruciﬁ x inside the chancel is from the famous Deprato Studio in Pietrasanta, Italy.
St. Rose Church was extensively refurbished in 1998 and is today a pristine example of turn-of- the-century Gothic Architecture.