Diane Keaton sometimes feels bad around her neck. As she describes in “Let’s Just Say It Wasn’t Pretty,” she likewise periodically feels negative around her self-explained thin hair, the downward slope of her eyes and assorted other physical features that have actually started to crinkle or buckle because of the ruthlessness of time. But Diane Keaton refoffers to feel bad around one very necessary thing: wearing turtlenecks.

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“Turtlenecks are especially underrated,” she writes in her second memoir, a candid but rambling treatise on aging and also beauty. “Buy one. I dare you. . . . Turtlenecks cushion, shield, and also insulate a person from injury.” A few sentences later on, but, she cautions: “If it transforms out that you begin to wear turtlenecks as often as I perform, and you’re my age, and you’re not Cary Grant, you will certainly run the danger of receiving a fair amount of criticism.”

As the flag bearer for the necktie-and-bowler-hat style she pioneered in “Annie Hall” (1977), Keaton clearly knows that her appearance elicits strong opinions. (The Oscar-winner recalls the minute once she realized she’d come in fifth in an digital list of “Top 10 Female Celebrities Who Are Ugly No Matter What Hollywood Says.”) The reality that she’s topic to more public scrutiny than a lot of ladies in their late 60s — you know, the ones that haven’t formerly dated Warren Beatty or Al Pacino — may make her insecurities even more pronounced, yet it doesn’t make them much less relatable. Any womale of a details age will certainly likely see reflections of her very own self-doubt in the critical lashings to which Keaton topics herself in these peras, lashings that seem extra-unnecessary considering how luminous the “Something’s Gotta Give” star stays. But even if they relate to Keaton’s battles, those female readers of a particular age still might feel disappointed by this book, which meanders through also many kind of apropos-of-nothing anecdotes while giving as well little bit in the way of real understanding.


"Let"s Just Say It Wasn"t Pretty" by Diane Keaton (Random House/Random House)

“Let’s Just Say It Wasn’t Pretty” might have actually been a cogent commentary on aging from the perspective of someone fighting a Hollylumber system that marginalizes maturity. Instead, it’s an regularly too-flighty series of esstates that la-di-das its method towards obvious conclusions, favor the truth that attractiveness comes in many creates and also colors, or that “while smiling is lovely . . . laughing is beautiful.” That may be true, but it’s additionally somepoint the majority of human being knew before they opened up Keaton’s book.

Keaton deserves praise and also a few feminist fist bumps for having actually the guts to attend to subjects that a lot of women, well known or not, prefer to move under the nearemainder area rug, from female baldness to are afraid of fatality to the incapacity to discuss such matters with colleagues. “Sometimes I wish I might talk to my contemporaries about how they’re grappling through their senior years,” she writes. “Do they wake up eextremely morning and also, choose me, look in the mirror with a huge sigh? Do they? Do they ask themselves what old age is for? I execute.”

That Keaton is asking those questions so publicly is admirable. But in the actress’s well-intentioned but ultimately trifling attempt to come up through systematic answers, she drops brief in a method that even the highest possible, thickest turtleneck can’t hide.

Chaney is a pop culture writer who contributes commonly to The Washington Article.


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Jen Chaney Jen Chaney is a pop culture writer and doubter. Follow
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